Rabu, 30 Maret 2011

[M934.Ebook] Ebook Free Harry Potter and the Philosopher's Stone, by J.K Rowling

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Harry Potter and the Philosopher's Stone, by J.K Rowling

For the first time, J.K. Rowling's beloved Harry Potter books will be presented in lavishly illustrated full-color editions. Kate Greenaway-award-winning artist Jim Kay has created over 100 stunning illustrations, making this deluxe format a perfect gift as much for a child being introduced to the series, as for the dedicated fan.
 
Harry Potter has never been the star of a Quidditch team, scoring points while riding a broom far above the ground. He knows no spells, has never helped to hatch a dragon, and has never worn a cloak of invisibility.
 
All he knows is a miserable life with the Dursleys, his horrible aunt and uncle, and their abominable son, Dudley -- a great big swollen spoiled bully. Harry's room is a tiny closet at the foot of the stairs, and he hasn't had a birthday party in eleven years.
 
But all that is about to change when a mysterious letter arrives by owl messenger: a letter with an invitation to an incredible place that Harry -- and anyone who reads about him -- will find unforgettable.

  • Sales Rank: #573744 in Books
  • Published on: 2015-10-06
  • Original language: English
  • Dimensions: 10.98" h x 1.14" w x 9.29" l, 3.22 pounds
  • Binding: Hardcover

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1117 of 1133 people found the following review helpful.
Unbelievable quality for the price!
By Corey A. Collins
SPECIAL NOTE: For U.S. customers purchasing the illustrated edition of Harry Potter and the Sorcerer's Stone, you will notice the text has NOT been converted to the "Americanized" version of the original U.S. releases (with the exception of changing all "Philosopher's Stone" mentions to "Sorcerer's Stone"). So far, I have noticed the following: (EU/US) dialling / dialing; Shan't! / Won't!; sherbet lemon / lemon drop; motorbike / motorcycle; and dustbin / trashcan. For many purists of the series who never liked the idea of modifying the original text for an American audience, this is a good thing. Good or bad is naturally for each reader to decide--just know, if you plan to read the books while listening to Jim Dale's audiobooks, you'll notice a few superficial differences.

The quality of this new illustrated edition is phenomenal. I've been excited about the release of this book since it was announced, but I never expected the book as a whole to be so well crafted.

A couple of things to note:
1. Underneath the book jacket, the novel is bound in a sturdy red hardback with gold lettering on the spine.
2. The paper is thick with an eggshell glossy finish.
3. All chapter intros are illustrated.
4. Some images take up full pages or multiple pages. Most illustrations share the page with text.
5. Every inch of the book is illustrated or decorated in some fashion. There are NO white pages in the book. Even the pages without large illustrations have the paper printed and marked with ink blots or paper "stains".

I would highly recommend this for anyone looking to read the series (again, or for the first time), especially if you plan to read this with someone younger. If this book is a demonstration of what is to come with the illustrated editions for the rest of the series, we're all in for six more impeccable treats.

317 of 338 people found the following review helpful.
Beautiful Book but mine's already falling apart ;-(
By Lucy Cat
The book itself and illustrations are absolutely, incredibly extraordinary. In that way, this is 100% a 10-STAR book and is absolutely to die for for Harry Potter fans. I was ravenous to get my hands on my copy as soon as it was delivered this morning, but was quickly disappointed.

First, Amazon's packaging was utterly and despicably inadequate. (See Photo) My book was shipped in a box, with *no packing material* of any kind. At first glance, it seemed OK. But when I took a close look at my dust jacket, I was extremely upset to find that the gold foil lettering for "Harry Potter" had been rubbed away and destroyed completely in some places leaving ugly, black matte in its place-- pock marking the otherwise handsome gold lettering. Also, the matte-finish of the dust jacket had been rubbed so badly due to the bad packaging that it left scars and shiny markings where the matte finish was worn off. For an obvious gift/collectors item, this is absolutely unacceptable. I called Amazon and they didn't seem to "get" what my fuss was all about and just offered to ship a replacement which, undoubtedly, will be shipped in exactly the same way.

Second, after I got over my initial outrage over the shipping/packaging. I sat down to enjoy the actual book itself, which as I said is absolutely extraordinary! I was extremely cautious handling the book and binding, being unsure how tolerant the binding is of weight. I carefully opened both the right and left sides of the binding and supported the weight of the opened cover using a small pillow. By the time I reached the back 3/4th of the book (on Professor McGonagall's full page illustration) the binding separated from the spine the very first time I turned the page. In other words, the binding fell apart during my very first pass through the book. (See Photo). Another thing that really drove me crazy was the way that the stitched in book mark was carelessly folded into the book. It left dents all over my pages (See Photo), which of course had to be on a full page illustration of Hagrid!

Needless to say I'm in awe how Bloomsbury has managed to put together such an incredible project, with JK Rowling's remarkable literature and Jim Kay's otherworldly illustrations-- and allowed it to be put together in a low quality binding! I noticed that all of the previous Harry Potter books were printed and bound in USA (some in Mexico) but this book was printed and bound in China. I would like to hope that they would quality check a thing like this, but perhaps not. Either way, I am extremely disappointed in the quality/binding of my book. I would be interested to know if others are seeing the same thing. And please, Amazon, pack these books in bubble wrap and packing material! Not all alone in a box...

Update (October 9th): I have finally received my new book and it was in much, much better condition. The cover and spine were tight, intact and falling apart from the binding like my original copy. Addtl photos to follow...

324 of 348 people found the following review helpful.
Big and beautiful
By Fujisan
The numerous illustrations are a wonderful addition to a brilliant book and will bring the story to life for young readers just growing into the series. Be aware, however, that books in this new illustrated series are quite substantial in size and weight, with pages so wide that column format is used for the text. I imagine that later books in the series will rival encyclopedias. Prepare your bookshelf accordingly.

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Selasa, 22 Maret 2011

[U392.Ebook] Fee Download Oedipus the King and Other Tragedies: Oedipus the King, Aias, Philoctetes, Oedipus at Colonus (Oxford World's Classics), by Sophocles

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Oedipus the King * Aias * Philoctetes * Oedipus at Colonus

Sophocles stands as one of the greatest dramatists of all time, and one of the most influential on artists and thinkers over the centuries. In these four tragedies he portrays the extremes of human suffering and emotion, turning the heroic myths into supreme works of poetry and dramatic action. Oedipus the King follows Oedipus, the 'man of sorrow', who has unwittingly chosen to enact his prophesied course by murdering his father and marrying his mother. In Aias, the great warrior confronts the harrowing humiliation inflicted upon him, while Philoctetes sees a once-noble hero nursing his resentment after ten years of marooned isolation. In Oedipus at Colonus the blind Oedipus, who has wandered far and wide as a beggar, finally meets his mysterious death.

These original and distinctive verse translations convey the vitality of Sophocles' poetry and the vigour of the plays in performance. Each play is accompanied by an introduction and substantial notes on topographical and mythical references and interpretation.

ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

  • Sales Rank: #762547 in Books
  • Published on: 2016-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.20" h x .90" w x 7.80" l, .0 pounds
  • Binding: Paperback
  • 384 pages

About the Author

Sophocles, born in the 490s BC, was a leading ancient Greek dramatist who composed as many as 120 plays in his long lifetime, although only seven survive. He entered and won many of the dramatic competitions held in honour of Dionysus, and was also a prominent public figure in the Athens of his day.

Oliver Taplin retired in 2008 from being a Professor of Classics at the University of Oxford and, for thirty-five years, Tutorial Fellow at Magdalen College, Oxford. The leading recurrent theme of his work has been the reception of poetry and drama through performance and material culture, in both ancient and modern times. As well as his academic work, he has been involved in broadcasting and theatre, both within and beyond the UK. Productions on which he has collaborated include the Oresteia (1981-2, dir. Peter Hall), The Thebans (1992, dir. Adrian Noble), the Oresteia (1999-2000, dir. Katie Mitchell), and Swallow Song (2004 and 2006 dir. Lydia Koniordou).

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Minggu, 20 Maret 2011

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Diversity in Sport Organizations, by George Cunningham

Diversity in Sport Organizations provides readers with a comprehensive understanding of the ways in which people differ--including race, sex, age, mental and physical ability, appearance, religion, sexual orientation, and social class--and how these differences can influence sport organizations. It offers specific strategies for managing diversity in work and sport environments, provides an overview of diversity training that can be implemented in the workplace, and outlines legal issues related to diversity. Grounded in research and theory, this user-friendly book emphasizes the practical applications of research findings and provides interesting, relevant sport-related examples. Its clear discussions and logical connections among ideas helps readers understand the managerial implications of fostering and sustaining a diverse workforce.

The author has updated the second edition to reflect an explosion of research on such topics as age, sexual orientation, mental and physical ability, religious beliefs, social class, and appearance. He has added many new examples throughout; these will help readers grasp how quickly our world is changing--and how sport organizations and the people who work for them need to change as well.

Other Features

  • Chapter-opening Diversity Challenges, with accompanying reflection questions, set the stage for chapter topics
  • Diversity in the Field and Professional Perspectives sidebars offer real-life examples from sport industry segments and professionals
  • Alternative Perspectives boxes offer additional views of some chapter topics
  • Questions for Discussion, Learning Activities, Supplementary Readings, and Web Resources help readers to further explore and think critically about the topics being discussed

  • Sales Rank: #682428 in Books
  • Brand: Brand: Holcomb Hathaway, Publishers
  • Published on: 2010-12-03
  • Formats: AC-3, CLV
  • Original language: English
  • Number of items: 1
  • Dimensions: .90" h x 8.00" w x 10.00" l, 1.75 pounds
  • Binding: Paperback
  • 408 pages
Features
  • Used Book in Good Condition

Review
This book can be used as a vehicle to start a dialogue about the topic of diversity. . . . It helps readers to better understand not only the theories surrounding diversity, but also their personal ideals. . . . . It gives them the opportunity to open up and share their values, theories, and reflections of things introduced and defined in the text. --Courtney Flowers, University of West Georgia

About the Author
George B. Cunningham, Ph.D. (The Ohio State University), is a professor in the Division of Sport Management at Texas A&M University. He also serves as the director for the Laboratory for Diversity in Sport, which is dedicated to producing and disseminating research related to all forms of diversity in the sport context.

Author of more than 120 articles and book chapters, Cunningham focuses his research in the areas of diversity, group processes, and employee attitudes. Within the diversity domain, he investigates the underrepresentation of various groups in leadership positions, the impact of dissimilarity on subsequent outcomes and behaviors, and strategies for capitalizing on the positive effects of diversity. His research has been published in various journals, including those in the sport domain (e.g., Journal of Sport Management, Journal of Sport and Exercise Psychology, and Sociology of Sport Journal) and the area of social psychology (e.g., The Journal of Social Psychology, Journal of Applied Social Psychology, Sex Roles, and Group Dynamics), as well as in various management journals (e.g., Organizational Analysis, Journal of Business and Psychology), among others. Cunningham is a Research Fellow of the North American Society for Sport Management (NASSM); he served as president of NASSM during the 2009 2010 academic year.

His free time is spent with his family, swimming, or playing golf.

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0 of 0 people found the following review helpful.
Really well put together
By Ralphie121
Great book. Although the subject of Diversity can be challenging to read if you do not have a vested interest, I found the author did a good job incorporating sport into the topic to make it both relevant and interesting.

1 of 1 people found the following review helpful.
College textbook
By edward r schwienebart
This book was in perfect condition and on time. I actually didn't use it and sold it back to amazon for almost as much as I paid for it.

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
Came in perfect condition.

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The City’s End: Two Centuries of Fantasies, Fears, and Premonitions of New York’s Destruction, by Max Page

From nineteenth-century paintings of fires raging through New York City to scenes of Manhattan engulfed by a gigantic wave in the 1998 movie Deep Impact, images of the city’s end have been prolific and diverse. Why have Americans repeatedly imagined New York’s destruction? What do the fantasies of annihilation played out in virtually every form of literature and art mean? This book is the first to investigate two centuries of imagined cataclysms visited upon New York, and to provide a critical historical perspective to our understanding of the events of September 11, 2001.

Max Page examines the destruction fantasies created by American writers and imagemakers at various stages of New York’s development. Seen in every medium from newspapers and films to novels, paintings, and computer software, such images, though disturbing, have been continuously popular. Page demonstrates with vivid examples and illustrations how each era’s destruction genre has reflected the city’s economic, political, racial, or physical tensions, and he also shows how the images have become forces in their own right, shaping Americans’ perceptions of New York and of cities in general.

  • Sales Rank: #1744198 in Books
  • Published on: 2008-09-23
  • Original language: English
  • Number of items: 1
  • Dimensions: .89" h x 7.26" w x 10.20" l, 1.75 pounds
  • Binding: Hardcover
  • 280 pages

From The New Yorker
This richly detailed book celebrates the enduring cultural significance of New York with an account of our unending desire to envision its demise. Since the nineteenth century, when the city established itself as a symbol not only of power and wealth but of racial diversity and class stratification, New York—beset by immigrants, crime, and crises real and imagined—has been the locus of America’s apocalyptic anxieties. Page, a professor of architecture and history, charts the evolution of popular fears in films, drawings, literature, video games, and amusement-park rides. His argument that “each era has found it useful to destroy New York in its own particular way” draws on theorists like Spengler and Sontag, but they are less illuminating than the gleeful illustrations, which attest to the notion that “no place looks better destroyed than New York.”
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Review
"Can this be the end—gasp—of Gotham? For two centuries now, this question has been posed by the innumerable writers, artists, and film makers who have targeted New York for fictional destruction. The city has been bombed, burned, drowned, frozen, invaded by aliens and stomped by monsters—a harrowing and occasionally hilarious record of imagined carnage that Max Page masterfully recounts. Then came 9/11. The City's End, enlightening and entertaining, provides much food for thought."—Mike Wallace, co-author of Gotham
(Mike Wallace)

“The City's End is a great Times Square of a book, an urban spectacle in its own right. Max Page, one of the most creative urbanists writing today, shows how our capacity to imagine New York’s destruction is actually a sign not only of the city’s inner strength, but of our own. Reading The City's End can help us all grow up.”—Marshall Berman, author of All That Is Solid Melts into Air
(Marshall Berman)

"Max Page's account of New York's pre- and post-9/11 disaster fears illuminates our deepest subliminal fantasies and provides unexpectedly profound observations about American culture and its love-hate relationship with city life."—Alexander Garvin, author of The American City: What Works, What Doesn't (Alexander Garvin)

"This is a dazzling book, highly original and with a distinctive voice. It has no competitor."—Clifton Hood, Hobart and William Smith Colleges

(Clifton Hood)

“Page provides a unique, well-researched, and insightful analysis of why so many authors, readers, and viewers have loved to destroy New York.”—Jonathan Soffer, Polytechnic University, Brooklyn
(Jonathan Soffer)

"An informative and provocative read."—Tama Starr, Wall Street Journal (Tama Starr Wall Street Journal 2008-10-03)

"Erudite but lavishly illustrated."—Sam Roberts, New York Times (Sam Roberts New York Times 2008-10-19)

"The City's End explores the imaginative and often profitable ways that filmmakers, writers, and artists have blown up, incinerated, drowned or depopulated New York City. . . . Page thoughtfully analyzes why the city's ruination has been such an enduringly popular theme."—Ann Levin, Newsday (Ann Levin Newsday 2008-12-12)

About the Author
Max Page is professor of architecture and history, University of Massachusetts, Amherst. He is a 2003 Guggenheim Fellow and author of The Creative Destruction of Manhattan, which received the 2001 Spiro Kostof Award of the Society of Architectural Historians. He lives in Amherst.

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3 of 4 people found the following review helpful.
A disappointing examination of a rich topic
By MarkK
Americans have long had a complex relationship with their nation's largest city. Despite (or perhaps because of) New York City's central role in the financial, social, and cultural life of the nation, many have fantasized and depicted its destruction in print, on canvas, and on the silver screen. In this book Max Page examines nearly two centuries of works depicting New York destruction in an effort to draw out their social and cultural meaning. From it he divines commonalities that say much about our broader anxieties regarding modern society, anxieties that we project onto the city in disaster tale after disaster tale.

Page's examination is chronological, with all the strengths and weaknesses that come with this approach. In the nineteenth century, destruction typically took the form of some sort of natural disaster, a modern-day biblical cleansing that would wipe away the sins Americans already associated with Gotham. By the early twentieth century, some authors offered social criticisms as well as moral ones, as did W. E. B. Du Bois when he penned a short story that used the survival of a black man and a white woman to make a broader statement about racism. The destruction of the city was also sometimes accomplished at the hands of an foreign attacker, a useful way of making political points about preparedness and vulnerability. By the 1960s, the sense of urban crisis came to predominate in many depictions, suggesting that its destruction would come from within rather than without. Though the attacks of September 11 brought a temporary moratorium on such explorations, it was not long before the city was being flooded, frozen, and smashed once again, demonstrating that as long as New York remained America's premier metropolis it would be continued to be targeted by writers, artists, and film makers.

Broad ranging and generously supplemented with illustrations, Page's book is an interesting examination of the meaning behind fictional destruction of New York. The September 11 attacks loom large within his analysis as an intersection between life and the theme of the works in his study, suggesting just how much of our fixation on this day was rooted in the longstanding fixation he examines. Yet his focus is somewhat idiosyncratic, as he excludes many relevant works (such as Whitley Strieber and James Kunetka's novel Warday) while important historical events such as the burning of the city during the American Revolution -- seemingly relevant given the author's focus -- barely rate a mention. As a result the book ultimately proves to be something of a disappointment; while readers interested in New York City or disaster fiction with find points of interest in it, most will finish it wanting more than what Page offers, which is a shame given the promise of his topic.

0 of 0 people found the following review helpful.
An Informative Survey
By Kelly Cooper
Max Page has created an elegantly designed, well-proportioned survey of fictional portrayals of New York's destruction. I was initially drawn to this book because I was curious about the persistent presence of this kind of destruction in my own fantasy life: What was behind my apparent need to imaginatively destroy New York? I moved to New York a little while ago, and was mildly unnerved by how frequently I soothed myself by picturing it destroyed in true disaster film fashion. In the context of my own sublimated psychological issues, I was thankful to have a broader understanding of this impulse. This is a useful survey of the destruction of New York in relation to greater sociological fears, personal psychological postures, and (especially) cinematic and literary history. It's a decent book - with many illustrations - that, while probably not of great interest to a large demographic, is nonetheless enlightening for the general reader. Anyone who is interested in disaster movies, for example, will find something here that is worthwhile.

0 of 0 people found the following review helpful.
Five Stars
By Christopher R. Kerr
one of the most original takes on a seldom-discussed theme of City obsession; bravo.

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  • Sales Rank: #243092 in eBooks
  • Published on: 2010-03-01
  • Released on: 2010-03-01
  • Format: Kindle eBook

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Kamis, 03 Maret 2011

[S692.Ebook] Ebook Fashion & Fetishism: Corsets, Tight-Lacing and Other Forms of Body-Sculpture, by David Kunzle

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Fashion & Fetishism: Corsets, Tight-Lacing and Other Forms of Body-Sculpture, by David Kunzle

From corsets to codpieces, stockings to stilettos and piercing to push-up bras, fashion and sex have always enjoyed a very close relationship. This new edition of David Kunzle's rich and revealing history of corsetry and body sculpture shows how this neglected phenomenon is closely bound up with sexual self-expression. Drawing on sources as diverse as medical literature and popular magazine articles, this fascinating history shows how in many ways the use of the corset rejected the role of the passive, maternal woman - so that in Victorian times it was actually seen by many as a scandalous threat to the social order. Even today fashion designers recognise its subversive powers, as a symbol of eroticism, decadence and control. Taking in other curiosities such as ancient body decoration, male corsetry, masochism and foot fetishism, this is an often racy journey into the enigma of all those who sculpt the shape of their desires onto their bodies.

  • Sales Rank: #953645 in Books
  • Brand: Brand: The History Press
  • Published on: 2006-08-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 1.01" w x 6.50" l, 2.05 pounds
  • Binding: Paperback
  • 384 pages
Features
  • Used Book in Good Condition

About the Author
David Kunzle is Professor of Art History at the University of California, Los Angeles. He is the author of The Early Comic Strip, Posters of Protest, and Che Guevara: Icon, Myth and Message. He is British-born and returns regularly to this country.

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0 of 0 people found the following review helpful.
Iconoclastic, densely researched, mythbusting study of sexuality in fashion focusing on corsetry
By Joseph A. Admire
In this brilliant, profusely illustrated, densely researched book, David Kunzle comprehensively and sympathetically, with the more-than-occasional flash of dry British humor, surveys the history of fetishism in fashion from prehistoric times to the Internet age (this review is of the 2004 hardback edition by Sutton Publishing; the most recent paperback printing by the History Press dates from 2006). His focus is most especially on the Victorian era through the early 21st century; he comments at several points that women's fashion in the 1870's was, in its emphasis on the feminine shape with various enhancements such as high heels and bustles, among the most explicitly fetish-oriented in fashion history. While he gives extensive attention to various articles of clothing, particularly shoes, that have been eroticized and fetishized, he concentrates, quite reasonably, on the corset, probably the most eroticized and fetishized of all items of costume - the subtitle of his book is "Corsets, Tight-Lacing and Other Forms of Body Sculpture". (One chapter, "The Corset as Erotic Alchemy", is an expansion and update of a long essay that he wrote for the 1972 book "Woman as Sex Object", which is also available on the Amazon Marketplace.) As I mentioned in a comment on another review of this book several months ago, the footnotes are lengthy and highly detailed - Kunzle apologizes for their length but he shouldn't; these are among the best footnotes I've ever seen in any book, so much so that readers will find themselves consulting them as often as the main text, not least because they contain a wealth of additional information and commentary.

Received opinion among fashion historians, feminists, medical authorities, sociologists and much of the general public has long been that corsetry in general and tight-lacing in particular were both inherently oppressive of women and injurious to women's health. Kunzle (who writes from a left-wing, femininst perspective himself) thoroughly demolishes this conventional wisdom (recently expressed, for example, by Leigh Summers in her book "Bound To Please"), unearthing and discussing a significant body of evidence to demonstrate that (1) tight-lacing was always a minority interest rather than being the standard practice during the eras when corsets were standard in women's costume; (2) as opposed to simply being a matter of reducing women to a subservient position - though Kunzle acknowledges that this did occur - tight-lacing, especially in the Victorian era, was in truth often a method of sexual rebellion and liberation by both women and men; and (3) that much, indeed most, of the propaganda accusing tight-lacing of damaging women's health and bodies was exactly that, propaganda (and indeed, often poorly-researched and sometimes downright hysterical propaganda at that), written by social and religious conservatives who were alarmed by the transgressive and rebellious attitudes expressed by tight-lacing. In particular, Kunzle demolishes a lot of so-called expert medical opinion of the 19th century on the dangers of corsetry by demonstrating that those warnings were very often written by doctors who were, in fact, expressing their own prejudices rather than reporting the results of properly-conducted scientific and medical research.

20 of 20 people found the following review helpful.
A classic analysis of the corset and tightlacing
By chance
I first heard of David Kunzle's book through a review written by Angela Carter. The book puts forward what was a novel argument at the time it was written - namely, that use of the corset and tightlacing was not simply a sign of the social oppression of women, but that it was simulataneously a rebellion against that oppression. Particularly focussing on the Victorian era, he argues that use of the corset was subversive, in view of the socially sanctioned role for women as sexless 'angels in the house' - tightlacing being overtly sexual, and not seen as consistent with housewifely duties. He marshals an impressive array of data in support of this thesis, particularly from the vehement anti-feminist opposition. Fascinating social history - highly recommended.

0 of 0 people found the following review helpful.
Five Stars
By Molocco
Great book. Extremely detailed.

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Traffic Engineering Handbook, by John Edward Baerwald

Engineering, Reference

  • Sales Rank: #1452198 in Books
  • Published on: 1965
  • Binding: Hardcover

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