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A milestone in modern thought, Space, Time and Architecture has been reissued many times since its first publication in 1941 and translated into half a dozen languages. In this revised edition of Mr. Giedion's classic work, major sections have been added and there are 81 new illustrations.
The chapters on leading contemporary architects have been greatly expanded. There is new material on the later development of Frank Lloyd Wright and the more recent buildings of Walter Gropius, particularly his American Embassy in Athens. In his discussion of Le Corbusier, Mr. Giedion provides detailed analyses of the Carpenter Center at Harvard University, Le Corbusier's only building in the United States, and his Priory of La Tourette near Lyons. There is a section on his relations with his clients and an assessment of his influence on contemporary architecture, including a description of the Le Corbusier Center in Zurich (designed just before his death], which houses his works of art. The chapters on Mies van der Rohe and Alvar Aalto have been brought up to date with examples of their buildings in the sixties. There is an entirely new chapter on the Danish architect Jorn Utzon, whose work, as exemplified in his design for the Sydney Opera House, Mr. Giedion considers representative of post-World War II architectural concepts.
A new essay, "Changing Notions of the City," traces the evolution of the structure of the city throughout history and examines current attempts to deal with urban growth, as shown in the work of such architects as José Luis Sert, Kenzo Tange, and Fumihiko Maki. Mr. Sert's Peabody Terrace is discussed as an example of the interlocking of the collective and individual spheres. Finally, the conclusion has been enlarged to include a survey of the limits of the organic in architecture.
- Sales Rank: #525547 in Books
- Brand: Brand: Harvard University Press
- Published on: 2009-02-28
- Released on: 2008-10-06
- Original language: English
- Number of items: 1
- Dimensions: 9.50" h x 1.72" w x 6.88" l, 3.44 pounds
- Binding: Paperback
- 960 pages
- Used Book in Good Condition
Review
This book is an important collection of historical and critical surveys and a brilliant study of the trends and developments of the modern scene with its historical background and true significance. For the general reader interested in the past and its relation to our present, and the specialist in architecture preoccupied with its facets of change, the author has succeeded in presenting a consistently developing process and a clear, concise picture. (Edward Larocque Tinker New York Times Book Review)
[Giedion's] survey of our architectural inheritance, beginning with the "organization of space" in the early Renaissance, is masterly, selective, and instructive. In his treatment of individual architects he calls a famous roll, and leaves us with a clear impression of the significance of each man's work... This is a big book, and one that no reader will exhaust quickly. (Saturday Review)
Space, Time and Architecture is a remarkable accomplishment in that it explores and throws new light on buildings and plans that were underestimated or unknown before this book appeared. It has also proved to be one of the most valuable reference books for students and professionals concerned with the reshaping of our environment. It not only reviews the varied fields of architecture and city planning in relation to an emerging industrial technology, but also shows their parallel development in the visual arts. Sigfried Giedion's accomplishment remains unmatched. (Jose Luis Sert)
Dr. Sigfried Giedion is today recognized as one of the world's most eminent architectural critics and historians. The unusual success of his Space, Time and Architecture, first published in 1941 and now greatly revised and expanded, is due to his deep investigation into the whole philosophical and technical background of our modern civilization. This new edition ensures that the book will continue to be internationally acknowledged as the standard work on the development of modern architecture. (Walter Gropius)
Review
Space, Time and Architecture is a remarkable accomplishment in that it explores and throws new light on buildings and plans that were underestimated or unknown before this book appeared. It has also proved to be one of the most valuable reference books for students and professionals concerned with the reshaping of our environment. It not only reviews the varied fields of architecture and city planning in relation to an emerging industrial technology, but also shows their parallel development in the visual arts. Sigfried Giedion's accomplishment remains unmatched. (Jose Luis Sert)
About the Author
Sigfried Giedion was the first secretary-general of the International Congress of Modern Architecture. He taught at the University of Zurich, Massachusetts Institute of Technology, and Harvard University, where he became chairman of the Graduate School of Design.
Most helpful customer reviews
33 of 33 people found the following review helpful.
A history of linear progression
By A Customer
This book is based on lectures Giedion gave at Harvard 1938-39. It is considered a modernist manifesto and after WW II, and well into the 1960s, it was often used in the training of architects all over the western world. European readers found the book interesting primarily because of it's section on the American history of architecture. The subtitle - The growth of a new tradition - refers to Giedion's conviction that the modern movement was the logical outcome of what he saw as a linear historical development. To make his case he gives his version of the history of architecture, and a big portion deals with the industrial era and how new technologies changed architecture and society as a whole. Giedion's all-inclusive way of reasoning was inspired by his teacher Heinrich Wölfflin. He also admired Wölfflin's mentor Jakob Burchardt. Giedion's mission is clear and he states that laissez faire mentality hinders development and that with common goals and values the world would be able to make changes for the better on a grand scale. Today the book in my view is primarily interesting as a time document and it gives insight into the modernist world of universal ideals.
17 of 19 people found the following review helpful.
A dated manifesto whose time has passed
By Michael S. McGill
This book is vast in its ambitions, uneven in its analysis, and badly dated in its defense of modern architecture. Giedion's basic premise is that the Industrial Revolution caused a separation to occur between thinking and feeling, this separation was exemplified by what he considers derivative architecture during the 19th century, and that it is up to the modern movement to reunite these two spheres by combining emotions with a scientific approach to architecture, and by adding the dimension of time to its three dimensional depiction of space. His historical analysis is quite erudite, but his treatment of the major architects who founded the modern movement, particularly Gropius and Le Corbusier, verges on hagiography. For instance he considers Gropius' PanAm building in New York, and Le Corbusier's Carpenter Center at Harvard to be great works of architecture, when contemporary critics view these as among their worst. The only American architect given comparable attention is Frank Lloyd Wright. The book flounders at the end in its speculation about the future, praising Le Corbusier's advocacy of separating people from cars by building elevated highways, and housing people in slablike high rise towers. Considering that Pruitt-Igoe was already, at the time of his final revision to his book, failing in St. Louis as an approach to house poor families (it was later blown to smithereens as a total disaster), this advocacy of housing people in high rises rings hollow indeed. He also advocates separating functions in a city, at a time again during his final revision, when Jane Jacobs "Death and Life of Great American Cities" was revolutionizing city planning by advocating just the opposite. It is worth reading because it makes you think, but it is badly dated.
12 of 14 people found the following review helpful.
Excellent history
By magellan
I enjoyed this book for the author's insights into how 20th century architecture, starting from certain antecedents in the 19th century, such as the early iron-reinforced concrete structures of William LeBaron Jenny, progressed through Louis Sullivan, Frank Lloyd Wright, the Bauhaus school, and so on, up to the style which he calls "the hanging curtain of glass."
Giedion shows how this spectacular 20th-century building originated around the turn of the last century and how it's modern variations represent a triumpth of this type of design.
The basic principle, as exemplified early on in the Carson, Pirie, Scott, and Co. building in Chicago, is that as stuctural members receeded from the outlying masonry walls into the interior skeleton of the building, this allows the architect to open up the facade with windows, skylights, and other penetrating elements in order to let the maximum amount of air and light into the building. Eventually no real supporting structural members need reside on the outside of the building, and the aesthetic result is the "hanging curtain of glass" effect... Whatever one thinks of this type of building, it has become a major landmark of 20th-century architectural design in cities all over the world.
Giedion's treatment of Robert Maillart's graceful, parabolic spanning bridge designs in the Swiss Alps and some other places, such as the Tavanasa Bridge in the U.S., which he specifically discusses as one of Maillart's most important achievements, is also very interesting.
Overall, Giedion's book is a fine treatment of an important and difficult period in the history of architecture, and is one of the most important books on architecture to be written in recent decades.
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